You built it. Now put it on television.
Next filming block: Wednesday 9 December, Orlando. Eight chairs.
One day on the set. A year of material.
Your film
A produced episode with your name on it, and every camera file from the day.
Your credit
Submitted to IMDb under your name, where anyone who looks you up will find it.
Your photographs
Shot on the lit set while your makeup is still fresh.
Your cutdowns
Short versions, cut for the channels you already post on.
Your page
An episode page on the network. A Feature adds a page in Global Success Magazine.
Your day
Makeup, lunch, a crew and a studio booked around you from the morning through to wrap.
Your masterclass
A virtual session after your filming day on how to actually use all of it.
Six properties, one standard.
Each one is its own programme, filmed on the same set, to the same standard. What changes is the format and the length of your time on it.
The Success Doctor
A business owner brings in what is actually going wrong. Four areas are examined, a diagnosis is reached on camera, and a prescription is written. The longest format on the network, and the one that goes deepest into your business.
The formatGlobal Success Stories
One build, followed properly: the decision, the work, the proof, and what you would tell someone standing where you were. Built around your story, with b-roll of you and your business at work.
The strandGlobal Success Spotlight
The same set and the same standard, in one interview rather than a built film. For an owner who wants the footage and the credit without the longer production. The shortest way onto the network.
The strandLuvLyfeLine
Relationships and life, hosted by Dr. Lynda Barnes and her husband Anthony, with questions sent in by listeners. Recorded while the studio is already lit for a television block.
ListenIn the News
Short pieces from the news desk on the business stories that actually reach an owner building something.
The deskGlobal Success Magazine
Quarterly, designed, and sold by the page. The written companion to the slate.
The magazineA real studio, or it does not count.
Three cameras switched live, broadcast audio, a lit set and a crew who do this for a living. The difference shows up on screen, and a stranger can see it in four seconds.
Footage made in a real studio is believed. Footage made on a laptop is scrolled past.
You book the time, you keep everything made in it. The film, the raw footage, the photographs and the cutdowns are yours.
Made in a real television studio.
You film at a professional studio in Orlando. Three cameras, switched live. A lit set, broadcast audio, and a technician in the room for every minute of the day.
Three camera
Switched live during recording, with separate camera files kept for every segment.
Broadcast audio
Wired and mixed live, not a microphone clipped on at the last minute.
Three sets
A talk show and interview set, a news desk, and a full green screen with live compositing.
Makeup
A professional artist on site for every filming day, for everyone who appears.
Studio facilities at Oasis Studios, Orlando, Florida.
Wednesday 9 December. Orlando. Eight chairs.
The studio and the crew are booked for one day. A Feature takes about seventy five minutes of it and a Spotlight about thirty. When the minutes are gone they are gone, and the next block is in the new year.
- The produced film and the raw footage
- Social cutdowns and on-set photographs
- Your episode page and IMDb submission
- Makeup, lunch and the full day
- The virtual masterclass
- Everything in the Spotlight
- A longer film and B-roll at your business
- More cutdowns, cut for your channels
- A page in Global Success Magazine
- The virtual masterclass
Founding season rates are on the booking page, which we send as soon as your application is read.
Three ways in.
Be featured
A Spotlight or a Feature, filmed on the set in Orlando, with the footage, the photographs and the credit to keep.
Apply for a chairSponsor a segment
Put your name on a named position inside the programmes, credited on screen and in every cutdown that follows.
SponsorshipBring us a show
Have the network carry the programme you already make, on a schedule, under a brand with a production standard behind it.
Bring us your showTell us what you built.
We film in blocks, a handful of chairs at a time, and a person reads every application. Send yours and you will hear back either way.
Where this work has appeared.
Every credit on this strip is checkable.